Dancing Bliss

Excellent performance at Villa Malcom last night. In Buenos Aires, there’s no shortage of milonga every night. I have been learning and dancing on a daily basis. Planning on extending my trip …

Villa Malcom Milonga

Villa Malcom Milonga

Tango Map Guide is a free guide that has milonga listing for every day.

Milonga Schedule in Buenos Aires

Milonga Schedule in Buenos Aires

For example, here’s the schedule for Wednesday. Check out the hora (time). Most milongas don’t start before 10pm, and usually end late around 3am. When I left at 2am last night (Wednesday) at Villa Malcom, its dance floor was still jam-packed! I wondered … is Thursday not a work day?

My First Milonga in Buenos Aires

Continued from Nerve Wrecking, Earth Shaking Milonga Experience

FIRST DANCE
A passionate tango song unfolded.

I recollected myself from the nervousness. I slowly raised my left arm and rested it behind my partner’s right shoulder. I leaned my face against his’s and closed my eyes. All these felt natural.

Technique wise, I could only work with what I had. So, I decided I wasn’t going to worry about that.

My teacher’s voice came to me, “Just feel.”

Believe it or not, one of the most important techniques in tango is to “just relax and feel”.

Without feeling, there’s no tango.

Feel the music. Feel the direction and timing from your partner. Feel the connection. Feel the energy. Just, feel.

Tango is the dance that was invented for a universe of Relativity and Quantum Mechanics. You must feed each other with energy.

That’s why it takes two to tango. 🙂

I took a deep breath.

The crowd disappeared.

My partner initiated a move; and I agreed to be led and followed.

Since Argentine Tango is an improvisational dance, there are no set patterns. Tango is not like waltz which you can remember a box square pattern and keeps dancing the same pattern while having a chat with your partner.

Tango 101: There’s no talking during tango dance. How can one feel if he talks all the time? After each music piece in a tanda, there are about 30 seconds that you can have a conversation with your partner, or not.

A good leader leads with his body (chest, shoulders, hands) & mind, attitude and intention.

It only takes five seconds to find out the level of a dancer. So, I was sure this milonguero had to quickly improvise and make sure I could follow his lead. Else, we both going to look like fools on the dance floor. And, that would be extremely embarrassing because tango world is a small world. Everybody assesses each other and is well aware of each dancer’s dance level, style, habits and reputation. This is important because everyone would prefer to dance with someone they can relate to.

Luckily this milonguero was a very good leader. I could feel his presence. He was there, guiding me.

Down the line of dance, off we went.

Codigos: Tango dancers move in circle (counter-clockwise) around the room, called the line of dance. It can be one lane or two lanes.

Since my eyes were closed, I certainly didn’t know where I was on the dance floor. And of course it wasn’t my responsibility to worry about such thing.

The leaders have to watch the traffic, feel the music, lead his partner to create a story with him at the same time. It’s definitely a challenging task.

The beauty of tango is it allows both partners to bring their own styles, music interpretation, and unique embellishments (footwork) to the dance which contributes to the excitement of the whole experience.

In a milonga, most dancers have only one chance to prove to other dancers that they are worthy for their attention. If you mess up your first dance of the night, then too bad.

Dancers were seated around the dance floor. So, line of dance allows the dancers to pass by each table and give the opportunity for other seated dancers to appreciate the dance. It’s like a group tango show. 🙂

I did mess up a few steps, but quickly refocused, relaxed and moved on. I tried my best and I thought I wasn’t so bad. Thanks for the experienced leader. He made me look good. 🙂

The music ended.

I opened my eyes and smiled.

I thanked my partner and he escorted me back to my seat.

Patricia: “How was it?”

Me:”He was very good. I am very happy and appreciative.”

Patricia gave me a few tips on my arm placement. I noted.

Now my level has been exposed, I was sure no one was going to ask me again. So, I just sat back and relaxed and even cracked a few jokes with my girlfriends when they were doing their cabeceos.

Happy me after the first dance

Happy me after the first dance

Tango shoe bags hanging from the chairs

Tango shoe bags hanging from the chairs


ALBERT

Another milonguero stopped by our table. He looked at me. I chuckled. Ah! Brave soul.

In my opinion, only the most capable leaders dare to ask a beginner to dance. I was told by an experienced tango dancer that a lot of male dancers thought they are really good, in fact, it’s their followers that make them look good. The real test comes when they dance with a beginner. Then, they have to learn to compromise and guide the beginner. Else, they would be stepping on each other’s foot; tripping all over the dance floor. Not a pretty sight.

This milonguero named Albert was from Turkey and spoke perfect English. Before the tanda has started, he gently moved my left arm around his back and showed me where I should put my face. I smiled. Usually, telling partner where to place her arm and face is a big no-no during milonga, Albert knew by now I was a beginner, so he wanted to offer some guidance.

Another beautiful tango song unfolded. I closed my eyes.

Albert lowered his left knee a little and slowly swayed to the side, I gasped and went with him. With just one step, I recognized that he was an EXTRAORDINARY dancer. It’s really difficult to explain that feeling. He guided and nurtured me with his energy.

At one point, I fell into a trance where the world didn’t exist. Just me and my partner (a source of energy) going through a journey.

Sometimes the music had harder and stronger pulse, sometimes the music was slow and had a sweet melanchony feel to it. Suddenly, my partner suspended me and led me to a world without time. I waited with him. There’s no rush in tango. Music will bring the dance to us. Then, we gently swayed … It was an exquisite conversation between sexes.

You don’t have to know the person or even want to know them on a personal level. You learn about yourself through the partnership. You have to be comfortable with who you are. This is the tango experience.

It was a different journey than the first dance. It was a different story that we were creating.

In the last three minutes, all sort of emotions went through my Being. We’ve been to places and different times. We went on a journey and came back. We shared without talking. No two dances can be the same. The expression will never be exactly repeated. That moment was how we felt, and will never be precisely the same, ever again.

A lot of people look for such repeated transcendental experience in tango. That’s why tango is such a powerful and addictive drug. Intoxicating.

Later on, Amy (who is an accomplished dancer and teacher in tango) commented that Albert was the best dancer of the night. See! I have good taste in tango. 🙂

SCARRED
Now, about my 3rd dance of the night. I was sitting at my table and I turned around. A glance from a milonguero at the next table caught my eyes.

“Dance?” He signaled.

I nodded.

I just had two very good experiences, so my worries were gone and my heart was completely open.

The music started.

Something was wrong. This miloguero wasn’t able to feed me with his energy. I couldn’t feel it. I heard him say,”No” a few times during the dance. I knew I wasn’t doing what he wanted. It wasn’t bad, but we did struggle a little.

First song ended.

“Gracias (thank you).” He said. That ended our dance, even though the tanda wasn’t over.

While all other dancers were still on the dance floor, he escorted me back to my table.

My heart was hurt and sat down with my confidence shattered into pieces.

Patricia: “So quick?”

Thanks for noticing. Patricia.

Was I so bad? I wondered. 🙁

Later on, Albert came back to ask for another dance. I told him about the incident and how sad I felt.

Albert:”Don’t worry. Beginners get that a lot. Now, just relax. You’ll be okay.”

We danced and his excellent lead cheered me up. It was a wonderful piece of music that soothed my wound.

VIVIEN

Vivien (who was one of best dancers of the night), a spunky Singaporean who comes to Buenos Aires to practice tango every year told me that an experienced milonguero doesn’t ask a beginner at the beginning of a tanda. He’ll ask for a dance towards the end of a tanda, so that if the dance doesn’t work out, the partnership will end naturally with the tanda. So, that milonguero was being a jerk and I should remember his face and never dance with him again.

Vivien asked for my background and I told her about my experience with tango.

Vivien:”2 months???? Then you are a genius.”

Vivien:”We all were not able to tell you have only been dancing for two months. The piece that Albert did with you was a classic piece. I was surprised he did that with you.”

See? People talk and assess each other’s dance level.

It didn’t matter if Vivien was exaggerating. I appreciated her compliments because they healed my scar. Phew.

Vivien and I spoke in Mandarin and she really made me miss my country!

My first milonga was a nerve wrecking experience but I’m glad I had the balls to try.

Buenos Aires, the city of tango, now I know why people are coming back year after year. The tango culture is deeply woven into everyone’s heart and soul here.

Tango, you and me are going to be inseparable.

A passionate couple dancing tango

A passionate couple dancing tango

Note: I wrote this post from the perspective of a tango beginner. If there’s anything that you wish to add or discuss, please feel free to leave me a comment. Gracias.

Nerve Wrecking, Earth Shaking Milonga Experience

As I was putting on my dance shoes in the court yard of Alsina, I couldn’t contain the butterflies in my stomach any more. All four generations of butterflies had gone crazy.

Codigos (tango etiquette): Always change your shoes outside the milonga hall.

Me:”Amy, I’m scared. Can I not dance?”

Amy:”Don’t worry. If you don’t feel like dancing, you don’t have to accept any invitations.”

Me:”How to say I am a beginner?”

Amy:”Don’t tell people that. They’ll find out.”

A graceful host in her silky gold-colored dress led us to the Plaza Bohemia dance hall.

How do I describe my feeling at that time?

Hmm…

I walked with poise, but what I really wanted was to be covered in a table clothe so that no one could see me. But that wasn’t possible since that would just make me even more visible.

The host led us to our table.

Milonga 101: Men and women are seated separately unless you come as a group or as a couple.

I observed the dance floor and my heart sank to the center of the Earth.

I’ve never seen so many expert dancers in one place.

As a beginner (learning tango for just two months), I really should go to milongas that have dancers of all levels. Oh well! Too late!

Beautiful tango posture, well controlled movements, the way the dancers walk, pencil thin heels (I’ve been told these tango shoe heels are strong as steel since you need good balance when you dance tango.), all were clues to the quality of the dancers.

Pencil thin heels

Me:”I just want to hide under the table.”

Amy:”… …”

Sitting uncomfortably and as a nervous wreck, I tried to not look at anyone.

Cabeceo (nod of the head): In Argentina, leaders ask followers to dance with a certain glance, movement or nod of the head toward the dance floor or smile that says, “Dance with me?” This can take place from across the room if the right eyes are caught. If a woman wants to accept a dance with a man, she smiles back and keeps looking at him while he approaches her. To decline, she simply looks away or starts to speak with her friends at the table. Leaders can avoid the embarrassment of having walked up to a follower and being rejected and followers can decline dances without feeling rude.

The nods were so subtle that it was hard for me to tell who was nodding at whom, but right before the end of a cortina (curtain in English – announces a short break, say around 1 minute or so, during which people can have a rest and a drink, and change partners), people started getting up and met at the dance floor. Amazing system. As Argentine Tango was created over 100 years ago, it had plenty of time to develop a set of customs that make good sense.

Milonga 101: At milongas, the music generally is played in sets called “tandas.” It usually includes three to five songs played by the same orchestra. Tanda is followed by a “cortina” which signals the end of a tanda. A cortina is your signal to smile, say ‘thank you’, and leave the floor quickly and gracefully, then prepare for the next cabeceo.

Naturally shy, I barely can make eye contact with any man in real life, not to mention to “choose” a milonguero (men at milonga) and “stare” at him.

I thought to myself, I could just watch and learn. I didn’t have to dance.

A man came to our table.

Amy:”I think he wants to dance with you.”

Me (in horror):”ME?????”

Amy:”Yes.”

The milognuero smiled at me.

Milonga 101: If you (especially a beginner / new comer) reject a man in such an obvious way (since this milonguero came to our table), then expect to stay seated the rest of your night since no one else would want to risk the embarrassment again.

Me (“gracefully” smiled back to the milonguero):”Sure.”

I grabbed my heart back from the center of Earth, had a deep breath while escorted by this milonguero to the dance floor.

He raised his left arm as an invitation to start dancing. I put my right hand in his and he wrapped his arm around my waist and pulled me gently and firmly towards him. O.M.G. A close embrace, and a very tight one.

Note: In milongas, Argentines only dance in close embrace.

I thought to myself, “Oh. S**T. I’ve only learned open-embrace. I’m in deep trouble.”

In fact, I just learned how to walk tango two months ago.

Where should I put my head during a close embrace? Where should I put my left arm?

Codigos: There is no teaching during milongas as that disturb the flow of the dance and it’s considering very embarrassing if you give / receive a lecture.

The cortina was almost over.

FOCUS!

I had no choice.

… to be continued …